Zero Summer
Zero Summer imagines the unimaginable horror of Hiroshima and Nagasaki, and yet points to epiphanic awakening that transcend human imagination at the same time. T.S. Eliot, who coined this term in his “Four Quartets,” longed for that eternal summer, birthed out of the "still point," where imagination is met with grace and truth.
Image: Makoto Fujimura, Zero Summer, 89"x69" Mineral Pigments and Gold on Kumohada Paper
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